Big Red Book
Celebrating television's This Is Your Life
Andrew LLOYD WEBBER (1948-)
THIS IS YOUR LIFE - Andrew Lloyd Webber, composer, was surprised by Eamonn Andrews - with the help of company members of the musical Evita - at Thames Television's Euston Road Studios, having been led to believe he is there to be interviewed about his new musical.
Andrew, who was born in London, read history for a term at Magdalen College, Oxford, before abandoning the course to pursue his interest in musical theatre by studying at the Royal College of Music. In 1965 he met lyricist Tim Rice, and together they collaborated on a piece originally commissioned for a school choir, which eventually became Joseph and the Amazing Technicolor Dreamcoat. After being developed into a two hour production the musical was staged in the West End and ran for 9 months in 1973.
They followed that success with the rock opera Jesus Christ Superstar, which opened on Broadway after the release of a hugely successful concept album, before opening in London in August 1972 where it played for 3357 performances, closing in 1980 as the longest running musical in British theatre history. Their third production, Evita, opened in London to great acclaim in June 1978.
"This is terrible!"
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NOVEMBER WAS BLANKED OUT for me and Gillie to audition up and down the country for that impossibly rare breed in 1980s Britain, dancers who could sing and act. That's how I first properly met Sarah Brightman. It was a surprise that she wanted to audition as she was a pop name with a big hit with "Starship Trooper" under her belt. A private meeting was arranged at my London flat. She arrived wearing a blue wig which may be the reason why I played "Don't Rain on My Parade" so appallingly for her. I thought she had a nice voice and that was about it.
Two days later it was up to Glasgow and Newcastle, in the middle of which I had a glorious half day off which I planned to spend squinting at architecture. I couldn't understand why Biddy, my sanguine PA, kept crazily scheduling an audition in London between the two northern casting dates. No matter how many times I said she was a congenial idiot either Cameron or Sarah insisted the London auditions were etched in granite.
I discovered what was behind this nonsense in the middle of the night. My poor wife was worried so sick about my suicidally stupid musical that she had taken to pouring out her angst in her sleep. One night I woke to hear her burbling on about a big secret that "Andrew mustn't know about." Naturally I took advantage of her semiconscious state and asked in my best soothing psychiatrist tones what it was. After a lot of incoherent drivel about relatives, she mumbled the words "This Is Your Life."
So that was the reason for my ludicrous schedule. It was that old chestnut of a TV show where ancient relatives and so-called friends were wheeled out to the surprise and shock of all too often B-list celebrities. Next morning I gave a virtuoso acting performance about knowing nothing which caused Sarah to fear the polar opposite.
I remember little about the TV programme nor the parade of relatives and friends who were dredged up. That was because my mind was entirely somewhere else. I had found our cats' home. The TV programme was recorded in the New London Theatre. During the endless procession of cousins I never knew I had, my eyes wandered around a perfect pussydrome. Built on the site of the old Winter Garden, the New London opened in 1973 as the "theatre of the future." It was designed by Sean Kenny, the man responsible for some of the most revolutionary sets ever, as both a proscenium theatre and theatre-in-the-round. Whilst kissing some long-lost great-aunt I remembered that this was achieved by a giant turntable in the floor.
The moment the show was over I told a disbelieving Sarah that I'd found a cats' home. Could she keep my various relatives and wellwishers at bay in the green room whilst I phoned Trevor Nunn? Luckily I got straight through to the RSC's HQ at the Aldwych Theatre and begged him to sprint the few hundred yards to the New London. Sarah did a brilliant covering job for me at the party by saying I was at the other end of the room when I wasn't, so for ten minutes Trevor and I had free rein of the empty theatre.
What happened next rendered us speechless. I don't think two theatre animals could ever have mouthed "eureka" so instantly. The building manager had wandered in and I asked him if the turntable that changed the audience configuration still worked. He said sure, would we like to see it? Next Trevor and I were looking at 300 seats moving to make a perfect theatre-in-the-round. We clutched each other. Not only had we found our cats' home, we could physically move our audience too! Trevor said it was the most exhilarating moment he had ever had in a theatre.
We had surprised Andrew with the cast of Evita, which included Elaine Paige, David Essex, John Turner, Stephanie Lawrence and Paul Nicholas.
As a child, Andrew had loved the music of Edmundo Ros, who rang from his home in Spain, delighted that Andrew's taste for Latin American music had come through in his latest hit musical.
Andrew also has a great love of pop/rock music. One of his favourite numbers is the Everly Brothers singing 'Bye, Bye, Love', and he couldn't be more delighted when we flew Don Everly in from Nashville to surprise him.
The Times 13 April 1981
Berger Paints will not be having their annual sales conference at the New London Theatre this year. It is one of a number of commercial engagements which has had to be rehoused to make way for Cats, Andrew Lloyd Webber's first stage musical since Evita. The New London hardly had a happy opening with Peter Ustinov's The Unknown Soldier and his Wife and since that day it has not done much looking forward. But Cats could change all that and the New London, substantially restricted to accommodate its feline tenants, is at least going back to being a legitimate theatre.
The idea of using the New London for Cats came to Lloyd Webber when he was standing on the centre of its stage: "I had been 'kidnapped' to appear on This Is Your Life and while the passing parade of long-lost cousins and aunts was going on I took a look around the theatre and realised that it was what we had been looking for. The moment the show was over I abandoned Eamonn Andrews – it must have looked terribly rude – and rushed to the telephone to ring Trevor Nunn, who had been working on Cats with me, to tell him we had our 'space'."
Series 21 subjects
Joe Loss | Julie Goodyear | Lawrie McMenemy | Peter Bowles | Mike Yarwood | John Schlesinger | Andrew Lloyd Webber