Julian BREAM CBE (1933-2020)

Julian Bream This Is Your Life

programme details...

  • Edition No: 967
  • Subject No: 942
  • Broadcast date: Mon 10 Feb 1997
  • Broadcast time: 7.00-7.30pm
  • Recorded: Thu 16 Jan 1997
  • Venue: unknown
  • Series: 37
  • Edition: 20
  • Code name: String

on the guest list...

  • Stanislav Heller
  • Noel - nephew
  • June Axon - partner
  • John Williams
  • Tony - brother
  • Paul - brother
  • Jan - sister
  • Jack Hughes
  • Jill Balcon
  • Johnny Underwood
  • John Bower
  • Humphrey Burton
  • Kate Bray
  • Colin Cowdrey
  • Filmed tributes:
  • Richard Baker
  • Stephane Grappelli
  • Malcolm Arnold
  • Yehudi Menuhin
  • Tim Rice

production team...

  • Researcher: Clare de Vries
  • Writers: Clare de Vries, Ian Brown
  • Directors: Steve Docherty, Paul Kirrage
  • Associate Producer: Sue Green
  • Executive Producer: John Longley
  • Producer: John Graham
  • names above in bold indicate subjects of This Is Your Life
related pages...

Classical Life

a symphony of subjects


The Night of 1000 Lives

a celebration of a thousand editions

Julian Bream This Is Your Life Julian Bream This Is Your Life Julian Bream This Is Your Life Julian Bream This Is Your Life Julian Bream This Is Your Life Julian Bream This Is Your Life Julian Bream This Is Your Life Julian Bream This Is Your Life Julian Bream This Is Your Life Julian Bream This Is Your Life Julian Bream This Is Your Life Julian Bream This Is Your Life

Screenshots of Julian Bream This Is Your Life

The Times 1997


This is his life


THE appearance of Michael Aspel and his Big Red Book is the sort of cheap thrill a critic scarcely dare hope for in the course of duty. But there they were, just as Julian Bream was about to break into a Villa-Lobos encore at the end of a concert to celebrate 50 years of professional life.


The guitar and the lute have been Bream's life, from his debut in Cheltenham in 1947 at the age of 13. on to tours of five continents, OBEs and CBEs: and from the most elusive Elizabethan lure-song to a Hollywood soundtrack.


A tiny cross-section of that life was glimpsed in Thursday's concert, as the varying relationships of different composers with the guitar were sampled. Those who wrote specifically for the instrument were represented by Robert de Visee, a musician at the court of Louis XIV, Takemitsu and Walton. The teasing ornamentation of the Baroque master warmed the fingers nicely for Bream's own new transcription of Bach's Cello Suite No 3 in C major.


The two Bourrtes provided a daunting handful of notes for an instrument lacking both the resonance and the sustaining power of the cello, but Bream's unbroken legato and subtle playing over the rose made it seem effortless. Takemitsu's In the Woods, a suite of three pieces, was as highly distilled as Walton's Five Bagatelles were flamboyant Neither Granados's Danzas espanolas nor Bartok's Petite Suite was written for the guitar. While the Bartok. Bream's transcription of six pieces from the 44 Duos for two violins, seemed stiff-jointed. the Granados was an intriguing reincarnation of music originally intended to evoke the guitar through the voice of the piano.


Bream now seemed indefatigable. If Aspel's limo had not been waiting, the party might well have gone on all night.


Hilary Finch

Series 37 subjects

Steve Redgrave | Gary Rhodes | Toyah Willcox | Freddie Young | John Motson | Jeremy Clarkson | John Rands | Jill Dando
Don Black | Sue Nicholls | Lynn Redgrave | Tanni Grey | Noddy Holder | Thora Hird | Richard Madeley and Judy Finnigan
Sam Torrance | John Simpson | Elizabeth Ward | Ross Kemp | Julian Bream | Les Dennis | Nigel Davenport
Richard Whiteley | Justin Hayward | Sian Phillips | Chris Tarrant