Big Red Book
Celebrating television's This Is Your Life
Gwen BERRYMAN (1906-1983)
THIS IS YOUR LIFE - Gwen Berryman, actress, was surprised by Eamonn Andrews during a specially arranged rehearsal of the BBC radio drama The Archers at BBC Broadcasting House in London, having been led to believe she was being filmed for Canadian television.
Gwen, who was born in Wolverhampton, showed an early flair for music and studied at the Birmingham School of Music and later at London's Royal Academy of Music, where she was awarded the gold medal for singing. She made her professional West End stage debut in Derby Day at the Comedy Theatre in 1932 before returning to the Midlands to run a dress shop.
She returned to performing during the Second World War, appearing in concert parties to entertain the forces stationed in the Midlands, and later joined Wolverhampton Repertory Theatre. Several radio appearances at the end of the 1940s led to her being chosen to play Doris Archer, the matriarch in a new BBC radio drama series, The Archers. She appeared in the first episode, broadcast on 1st January 1951 and had just celebrated 25 years in the role.
"And you've provided all those cakes for that! Oh really, oh dear! I'm frightened now! Oh dear - but I don't know anybody!"
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Screenshots of Gwen Berryman This Is Your Life
A few weeks later, I found myself once again in the middle of a celebration, only this time I really was caught on the hop, by Eamonn Andrews for his This Is Your Life programme on commercial television.
Whenever I had seen the programme as an ordinary viewer, I always thought the 'victims' must have had some inkling of what was going on.
Either that or they must be daft. But when it happened to me, I can honestly say I did not have a clue. The collusion between Thames Television, who make the programme, and the BBC was total and none of my family or friends breathed a word of the plans that they had obviously been party to.
In fact, the whole thing nearly did not happen, because my arthritis was playing me up and I was in a particularly grumpy mood. We were recording in Birmingham when Tony Shryane said he wanted me to go to Broadcasting House in London the next day for some filming for a Canadian television station.
It was not one of the days I was contracted for and I actually had an appointment fixed with my hairdresser back in Torquay. My hair had been a problem for many years because of the psoriasis, and regular hairdressing was very important to me psychologically. I felt cross about having to miss the appointment and I know I grumbled a great deal about the lack of notice and why on earth I should have to put myself out for the Canadians.
I told Tony that I was much too tired and that I just wanted to go home, but for once he did not seem very sympathetic and more or less insisted that I went, otherwise it would look very unprofessional, he said. I was a bit shocked and reluctantly agreed.
I grumbled all the way to London and I am sure everyone must have been thoroughly fed up with me by the time we got into the studio, but that did not stop me complaining about having to work in unfamiliar surroundings. Why on earth could the cameras not have been brought to Pebble Mill, where we could have been filmed in our natural habitat?
There was an awful lot of messing about with lights and microphones and I was feeling just about ready to explode when the tall, handsome figure of Eamonn Andrews appeared from behind a screen and in that beautiful Irish brogue said: 'Gwen Berryman... this is your life.'
What happened after that is very hazy. I am sure I cried a lot. I always do when I am happy. I remember everyone at the television studios fusing around me offering champagne all the time, when all I wanted was a nice cup of tea. They had also had one of my evening dresses brought up from Torquay but, probably still smarting from the suggestion that I might have been unprofessional, I had a little fit of artistic temperament and insisted that for continuity reasons I should wear the same dress as when I had been first filmed in the morning.
There was quite a long delay from the time Eamonn introduced himself until we went into the studio to record the programme and by then I was almost frightened about what would happen and who would be brought on to illustrate my life story. But once the lights went on and the audience applauded, I relaxed and felt in my element, once again the centre of attraction.
It was lovely and I got thrill after thrill as friends I had not seen for years, friends I had seen only days before, my brother and his family, and finally the whole cast of The Archers came on to the set and said such lovely things about me. It really was an incredible feeling and if the veiwers get even a fraction of the enjoyment out of watching the programme that I can now say the 'victim' gets from being in it, there is no wonder it is one of the most popular shows on television. That famous red book - which, incidentally, contains even photographs taken in the studio - and a lovely note from Eamonn are now among my most treasured souvenirs.
Series 16 subjects
Ronnie Dukes | Ray Milland | Mike Hailwood | Frank Windsor | Magnus Pyke | Bill Tidy | Gladys Mills | Andy Stewart