Big Red Book
Celebrating television's This Is Your Life
Tim SMIT (1954-)
THIS IS YOUR LIFE - Tim Smit, songwriter, record producer and conservationist, was surprised by Michael Aspel at the Eden Project in Cornwall, having been led to believe he was being filmed for a television interview.
Tim, who was born in the Netherlands, studied archaeology and anthropology at Durham University, where, as a keen musician, he helped form a band. After graduating in 1976, he found work as an archaeologist before taking an unexpected leap into the music business as a songwriter and producer. He worked with artists such as Barry Manilow and Alvin Stardust and earned himself several platinum and gold discs.
In 1987, he moved with his family to Cornwall and became involved in the restoration of The Lost Gardens of Heligan, which became one of the most popular botanical gardens in the UK. In addition, he devised and created the Eden Project near St Austell, an £80 million initiative to build two transparent biomes in an old china clay pit near the village of Bodelva. The Eden Project aims to educate people about environmental matters and encourages a greater understanding and empathy about the environment.
"Oh my god - I don't believe this!"
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The eleventh of September 2001 was a sunny day. I was supposed to be meeting the newscaster Trevor McDonald in the Rainforest Biome to discuss Eden's impact, which was why, I assumed the film crew was there. Instead I was ambushed by Michael Aspel: 'Tim Smit, this is your life...' Unreal. A car had been booked to drive me to London because they knew I was frightened of flying, and off we went, allowed only the time to hug everybody who had kept it such an extraordinary secret. We were less than ten miles up the road when we encountered a horrendous traffic jam. The producer turned to me and said, 'How scared of flying are you exactly?' I took a deep breath and agreed to fly. We got the two last seats on the flight to London. There was a hubbub at the airport and as we got on everybody seemed extremely nervous. I was rather encouraged, perversely; it wasn't just me who felt fear. The producer couldn't stop talking all through the flight.
When we landed I was whisked into a car without the usual formalities. Great being a star for a day, I thought. At the Thames Studios at Teddington I was kept away from people and taken up to a rather comfortable green room, where I sank into a chair and had a cup of tea before turning on the TV. The sound was muted, and playing in front of me was a scene obviously from an action thriller I hadn't seen before. It was 6.15pm. I flicked the mute button off, and … well, you know the rest. Aspel came in, white as a sheet, and explained what was going on. He had also taken a call from a coach full of my colleagues on their way to the studio who had demanded that he tell me what was going on or they would make the driver turn around. Would I do the show? Yes, I said, on one condition. Was my son Alex here? He was due to have been in Boston with his girlfriend at the time and, of course, your mind races. Aspel hesitated, then said yes. It was, he said, the first time in the history of the show he had ever given something away.
Showtime, and one by one my family joined me on stage along with the familiar faces from the past right up to the present. It was a fabulous event in so many respects, heightened by a sense of unreality due to what had happened in America. Years later Aspel would cite this show as the most memorable of them all – not down to me, I'm sure. For the family it was momentous, too, because Alex had been flown back feeling very ill indeed, and he had fainted during the after-show party. We would discover that he had suddenly been caught by diabetes. How lucky for us that the show was scheduled so as to bring him back in time to receive attention.
Series 42 subjects
Michael Winner | Shaun Williamson | Paddy Ashdown | Tim Smit | Babs Powell | Saeed Jaffrey | Paul Young | Julian Clary